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It’s two people and the core of their relationship… It just seemed like such a subtle, finite, beautiful thing that had to happen and it scared me. “There is no big thing happening in this movie. I didn’t think I could make myself that vulnerable and that exposed and that raw. I didn’t think I had the chops as an actor, and I was terrified,” said Hammer. It was precisely that closeness that made Hammer initially apprehensive about the role. I refuse with strong firmness that I was coy in not showing that, because I think that Oliver and Elio and Armie and Timothée, the four of them displayed a very strong intimacy and closeness in so many ways and it was enough.” “I think that their love is in all things, so when we gaze towards the window and we see the trees, there is a sense of witnessing that. Speaking after a showing at the New York Film Festival earlier this year, he summed up his reason with characteristic flair. “To put our gaze upon their lovemaking would have been a sort of unkind intrusion,” the director said in Italian-accented English. Guadagnino was prepared for backlash about the lack of gay sex in the film. Nightmare Film Shoots: 28 of the Most Grueling Films Ever Made
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How 'Death on the Nile' Deals with Its Big Armie Hammer Problem Luca Guadagnino Argues 'Call Me' Is 'Not a Romantic Movie,' Defends Not Showing Sex Scene Panning away from the darkened bedroom of Elio’s family villa, Guadagnino’s lens settles on rustling trees, leaving the young lovers’ first intimate embraces to the imagination. As they slowly but surely move toward intimacy, the time finally comes to consummate their love. At first, each seems cheekily cautious of the other, testing the waters with intellectual quips and hurried touches.
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Guadagnino films Oliver and Elio in gorgeous light, making a meal out of each actors’ unique physicality. Italian summer days shine brilliantly across the screen in “Call Me by Your Name,” charting its central budding romance with a kind of buoyant grace and dignity.